Kuusisto Transforms Vivaldi and Farrenc with NZSO Performance

The New Zealand Symphony Orchestra (NZSO), under the baton of Pekka Kuusisto, captivated audiences at the Michael Fowler Centre on October 9, 2023, with a unique concert that reimagined classical standards. The evening featured works by both Vivaldi and Louise Farrenc, showcasing Kuusisto’s innovative approach to music and performance.

Farrenc’s Symphony Takes Center Stage

In a bold move, Kuusisto decided to open the concert with Farrenc’s Third Symphony instead of the widely recognized Four Seasons. This decision not only highlighted the revival of Farrenc’s work after years of neglect but also demonstrated Kuusisto’s commitment to challenging audience expectations. He humorously informed the packed house that he had “neutral” news regarding the program order, prompting curiosity and anticipation.

The symphony’s first movement was poised yet lacked some of the warmth and dynamism expected from such a powerful piece. The second movement, while beautiful, faced balance issues between the solo clarinet and the orchestra. However, the scherzo burst forth with a lively energy, captivating the audience. The finale displayed a robust clarity, with Kuusisto paying close attention to the nuanced textures of Farrenc’s composition, showcasing the emotional depth of her work.

Reinterpreting Vivaldi’s Classic

After the intermission, the orchestra transitioned to Vivaldi’s Four Seasons, reinterpreted in a manner that strayed far from traditional renditions. Kuusisto’s performance of Spring began with a mesmerizing microtonal solo, while Summer featured drone-like slides that added a fresh perspective to the well-known piece. His improvisational style allowed listeners to experience the music anew, transforming familiar melodies into something innovative and exciting.

Throughout the performance, Kuusisto’s engaging stage presence, characterized by playful movements and direct eye contact with the audience, invited them to embrace his creative adaptations. His interpretation drew on a diverse range of influences, weaving in elements reminiscent of bagpipes and other musical traditions. The slow movement of Autumn captured an aching beauty, while the closing Winter was marked by stark contrasts and impressive technical displays that highlighted Kuusisto’s skill.

The concert concluded with enthusiastic applause and a partial standing ovation, rewarding the performers with a well-deserved encore. This final piece, reminiscent of a Swedish folk song, encapsulated Kuusisto’s signature blend of tenderness, whimsy, and high-end technique, leaving the audience with a lasting impression.

Overall, the performance was a testament to the evolving landscape of classical music, where tradition meets innovation, and where lesser-known composers like Farrenc can finally take their rightful place on the concert stage.