Big Live Enchants Audiences with Dark Ballet ‘Dracula’

The recent production of *Dracula* by Big Live in Dunedin captivated audiences with an enthralling mix of drama and artistry. This dark ballet, which premiered on October 14, 2023, offers a unique retelling of the classic horror tale, combining elements of classical music and innovative choreography.

The score, masterfully woven together by composer Toby Alexander, features renowned pieces from Tchaikovsky and Debussy. The music played a significant role in enhancing the eerie atmosphere, drawing the audience into the haunting world of Vlad the Impaler, the historical figure whose transformation into a vampire forms the core of the narrative.

Stunning Visuals and Choreography

The production’s visual elements were equally impressive. Set designer Eric Luchen created a stunning backdrop that perfectly complemented the gothic tale. The lighting design, which acted almost as a character in its own right, helped to establish a moody ambiance. Shadows danced across the stage, adding to the chilling experience.

Portraying the titular character, Ervin Zagidullin delivered a commanding performance, embodying the sinister essence of Dracula. This role diverges from the traditional ballet repertoire, as Dracula is far removed from the archetypal fairytale prince. The central couple, newlyweds Jonathan and Mina, provided a counterbalance to the darkness, with their romantic moments adding levity to the intense narrative.

Abbey Hansen, who played Mina, brought an ethereal quality to her performance. Her physicality and emotional depth were evident in her interactions with both Jonathan and Dracula, showcasing her ability to shift between contrasting dynamics seamlessly.

Haunting Performances and Audience Reception

One of the most memorable aspects of the production was the portrayal of the Ghosts, performed by Giselle Osborne, Rose Maloney, Mia Zanardo, and Bella Collishaw. Their haunting movements captured the essence of Dracula’s tormented victims, and they moved together in a way that evoked a sense of collective suffering. The ensemble’s ability to float across the stage while maintaining individual presence was a testament to their training and artistry.

Under the direction of Joel Burke, co-founder of Big Live, the company has built a dynamic group of international dancers. Although the audience was not at full capacity, it was heartening to see a substantial turnout on a Sunday evening. The reception indicates a growing interest in the innovative performances offered by this emerging company.

In summary, Big Live’s *Dracula* is a ballet rich in intensity and gothic drama. This production not only showcases the dancers’ skills but also invites audiences to immerse themselves in a world where fear and beauty intertwine. It is a performance that leaves a lasting impression, ensuring that this won’t be the last time Dunedin experiences the magic of Big Live. As the curtain falls, one can only hope that this thrilling adaptation finds its way back to the stage soon.