Pātaka Art+Museum Showcases Jasmine Togo-Brisby’s Unique Journey

The Pātaka Art+Museum in Porirua, New Zealand, has launched an exhibition and a book titled ungeographic, showcasing the work of Jasmine Togo-Brisby, an artist of Australian South Sea Island descent. This exhibition not only highlights Togo-Brisby’s artistic journey but also brings attention to the history of Australian South Sea Islanders, descendants of individuals brought to Australia as indentured labourers between 1847 and 1904.

The exhibition, curated by Ioana Gordon-Smith, marks a significant milestone in Togo-Brisby’s career, which has gained momentum with participation in prestigious events such as the Asia Pacific Triennial in Queensland and the Bangkok Art Biennale. In an interview, Togo-Brisby reflected on her decision to exhibit at Pātaka, describing it as a “full circle moment.” She recalled that Gordon-Smith was the first curator to showcase her work in New Zealand at Te Uru in Auckland back in 2016.

Artistic Reflection and Community Impact

Returning to Wellington holds special significance for Togo-Brisby. She reminisced about her time working in a jewellery store in Porirua, a stark contrast to her current status as a celebrated artist. “The younger me… could never have anticipated having this exhibition,” she said, underscoring the transformative nature of her journey.

The exhibition features a range of her artworks, including Bitter Sweet, created in 2015 during her studies at the Queensland College of Art. Togo-Brisby expressed gratitude for having her works displayed together for the first time, noting that her artistic thought process has remained consistent over the years. She emphasized the importance of her evolving voice in advocating for herself and her heritage.

Among the pieces on display, Togo-Brisby is particularly excited about Ceiling Centre, a wall-hung plaster work resembling a ceiling rosette, and As Above So Below, an immersive installation. She highlighted how these works engage with one another, creating a dialogue that enhances visitors’ understanding of underlying themes.

Emotional Engagement and Future Endeavors

Togo-Brisby aims for her art to resonate emotionally with audiences, fostering dialogue about the experiences of Australian South Sea Islanders and the broader context of global enslavement. She noted that visitors often respond with a range of emotions, from delight to sadness. “I can’t control what they feel… I want them to feel something,” she remarked.

Looking ahead, Togo-Brisby has several projects lined up in Australia, the UK, and Europe. One notable undertaking is a five-year research project in collaboration with German and Australian scholars to explore the histories of Anglo and German plantations in the Western Pacific.

The exhibition ungeographic will continue at Pātaka until November 9, inviting visitors to engage deeply with the rich narratives woven throughout Togo-Brisby’s work.