Māori-Led Play ‘Out the Gate’ Explores Incarceration Issues

A new theatrical production titled Out the Gate, led by Māori writer and psychologist Helen Pearse-Otene, is currently touring in Aotearoa, with performances scheduled at Massey University in Wellington from November 12 to 15, 2023. The play serves as a poignant conversation about the impacts of incarceration on Māori communities, drawing on extensive research and lived experiences.

Out the Gate is part of the TIAKI project, a public health initiative aimed at understanding the adverse effects of incarceration on the health and well-being of Māori and their families. Over the past three years, Pearse-Otene has collaborated with the Eru Pomare Centre at Otago University and the Tū Kotahi Māori Asthma Trust to analyze literature, statistical data, and personal narratives from individuals affected by the justice system.

The theatre piece embodies the concept of theatre marae, which fuses traditional and contemporary Māori performing arts. This approach not only creates a space for artistic expression but also acts as a decolonising strategy that addresses themes of trauma and social justice within Māori communities.

In discussing the collaborative process, Pearse-Otene emphasizes the importance of feedback from those with personal connections to the justice system. “They’re the ones who get to tell me if the script is rubbish,” she stated, underscoring the authentic voices integrated into the production. This engagement enriches the narrative, ensuring that it resonates with genuine experiences.

The intersection of Pearse-Otene’s expertise in theatre, psychology, and Māori health plays a crucial role in shaping the production. She notes that all three fields focus on understanding reality, human suffering, and the pathways to healing. The play addresses challenging themes while striving to maintain a message of hope, reflecting the community’s resilience and capacity for change.

The TIAKI study not only highlights the factors contributing to intergenerational incarceration but also proposes community-driven solutions to reduce recidivism. Pearse-Otene hopes that audiences will engage in meaningful discussions following performances. “I like to think of the post-show kōrero as an extension of the performance,” she explained, inviting viewers to analyze the research and its implications.

In addition to her work in theatre, Pearse-Otene has a unique personal interest that may surprise many: she is a member of the Sanditon Sisterhood, a global fan group advocating for the revival of the TV series Sanditon after its cancellation. This involvement provided her with a sense of community during lockdown, reflecting her commitment to both creative expression and social connection.

As Out the Gate continues its tour, it stands as a testament to the power of theatre to illuminate pressing social issues and foster dialogue within communities. Pearse-Otene’s work not only entertains but also educates, encouraging audiences to reflect on the broader implications of incarceration in Aotearoa and beyond.