New Horror Film “Went Up the Hill” Blends Beauty and Terror

The horror film Went Up the Hill, directed by Samuel Van Grinsven, has made its debut in select cinemas across New Zealand. Set in the stunning landscapes of Te Waipounamu, specifically in South Canterbury or Central Otago, the film presents a visually striking narrative that intertwines themes of grief and the supernatural.

The story unfolds at a luxurious mansion perched high on a hill, overlooking a frozen lake. The house, crafted from concrete and stone, boasts expansive windows and an air of understated wealth. It serves as the backdrop for a memorial service for Elizabeth, the house’s recently deceased architect and owner. Mourners gather to pay their respects, revealing Elizabeth’s formidable influence on their lives. Among them is her estranged son, Jack, portrayed by Dacre Montgomery, who has traveled from Australia after being disowned by his mother.

Jack’s presence at the service is met with hostility, setting the stage for the film’s exploration of complex family dynamics. He ultimately decides to stay in the house with Elizabeth’s widow, Jill, played by Vicky Krieps. The film hints at a chilling plot twist: Elizabeth’s ghost is determined to communicate from beyond the grave, potentially using Jack and Jill as vessels for her unresolved issues.

As the film progresses, it becomes less of a straightforward horror narrative. Elizabeth’s spirit appears to possess both characters, leading to ambiguous interactions that blur the lines of reality. Jack and Jill’s relationship develops in unexpected ways, raising questions about possession and emotional connection. The intricate dynamics can lead to moments of dark humor, although the film’s intent may have been to provoke genuine fear.

Despite the unsettling plot, Went Up the Hill excels in its aesthetic presentation. The film’s cinematography, crafted by award-winning Australian Tyson Perkins, captures breathtaking visuals that elevate the storytelling. Both Montgomery and Krieps deliver performances that infuse depth into the script’s more surreal elements, showcasing their ability to evoke real emotion amidst the narrative’s implausibilities.

The film challenges audiences to reflect on its artistic merits and thematic depth. The line between artful storytelling and unintentional absurdity is thin, leaving viewers to decide where Went Up the Hill ultimately lands. With a runtime of 100 minutes, the film is now screening in select cinemas nationwide, inviting viewers to experience this unique blend of horror and beauty for themselves.