New Horror Film “Went Up the Hill” Offers Stunning Visuals and Uneasy Tension

The recently released horror film Went Up the Hill, directed by Samuel Van Grinsven, has sparked a range of reactions from audiences, largely due to its unique approach and striking visuals. Set against the backdrop of a stunning mansion in Te Waipounamu, located in either South Canterbury or Central Otago, the film runs for 100 minutes and has received a rating of R16.

The story unfolds at a memorial service for Elizabeth, a formidable architect who has recently passed away. As mourners gather in her opulent modern home, complete with breathtaking views of a frozen lake, tensions arise. Among the attendees is Jack, Elizabeth’s estranged son, who has been disowned and now lives in Australia. His return to the family estate is fraught with unresolved issues, particularly regarding his mother’s past decisions.

As the narrative progresses, Jack finds himself spending several nights in the mansion alongside Elizabeth’s widow, Jill. The film hints at a supernatural element, with Elizabeth’s ghost possibly seeking to manipulate both Jack and Jill. The trailer suggests that the film delves into themes of possession and unresolved familial conflict, hinting at a horror story that is both chilling and emotionally complex.

Despite the intriguing premise, the execution of Went Up the Hill leaves some viewers puzzled. The film’s exploration of Elizabeth’s unfinished business and her attempts to communicate through Jack and Jill often blurs the lines between possession and reality. At times, the film oscillates between moments of genuine horror and unintentional humor, which may challenge audience expectations.

Visually, Went Up the Hill excels, thanks to the exceptional cinematography by Tyson Perkins, an award-winning Australian artist. The film’s art direction captures the luxurious yet eerie essence of the mansion, creating a captivating aesthetic that enhances the overall atmosphere.

The performances from Dacre Montgomery, known for his role in Stranger Things, and Vicky Krieps, recognized for her work in Phantom Thread, add depth to the characters. Their ability to convey emotion amidst the film’s more bizarre elements warrants commendation, as they navigate the complexities of their roles with a mix of sincerity and nuance.

As with many films that straddle the line between art and absurdity, audience reception may vary. Went Up the Hill invites viewers to reflect on its themes and decide for themselves where the film ultimately lands on the spectrum of artistic expression.

Currently, Went Up the Hill is screening in select cinemas nationwide, offering horror enthusiasts a chance to experience its unique blend of visuals and storytelling. Whether it resonates as a profound exploration of grief or as an unintentionally comedic venture remains to be seen, making it a compelling topic for discussion among viewers.