Māori-Led Theatre Production Explores Incarceration Issues

A new theatrical production titled Out the Gate is set to shed light on the profound issues surrounding incarceration in Aotearoa. Written by Helen Pearse-Otene, a psychologist and theatre practitioner, the play is currently touring and will be performed at Massey University from November 12–15, 2023.

This work is a significant addition to the realm of Māori-led theatre, blending traditional Māori performing arts with contemporary narratives. Out the Gate exemplifies the theatre marae concept, which serves as a decolonising strategy aimed at crafting evocative performances that honour Māori experiences of colonisation and social justice.

Research-Driven Narrative

The production is a key component of the TIAKI research project, which focuses on the adverse effects of incarceration on the health and wellbeing of Māori, their families, and the broader community. Over the past three years, Pearse-Otene and her team have collaborated with the Eru Pomare Centre at Otago University and the Tū Kotahi Māori Asthma Trust. Their research includes analysing literature, statistical data, and interviews with individuals who have experienced the justice system firsthand.

Pearse-Otene emphasizes the importance of community perspectives in shaping the narrative of the play. “They’re the ones who get to tell me if the script is rubbish,” she noted, highlighting the collaborative nature of the project. This approach ensures that the voices of those most affected by the issues are front and centre in the storytelling.

Balancing Tough Themes with Hope

The play addresses challenging themes, including intergenerational incarceration and recidivism. Pearse-Otene aims to strike a balance between these difficult topics and messages of hope. “The TIAKI study examines the drivers for incarceration and presents community-derived alternatives,” she explained. By focusing on community interviews, the production reflects a broader dialogue on solutions to these pressing issues.

Following each performance, audiences are invited to engage in discussions, extending the conversation initiated on stage. Pearse-Otene hopes these post-show discussions will allow viewers to analyse the research and reflect on the themes presented in the play. “If people leave the show thinking that the price of admission was worth it, then I’m happy,” she stated.

Beyond her artistic pursuits, Pearse-Otene is also an active member of a global fan group known as the Sanditon Sisterhood. This community formed to campaign for the revival of the TV show Sanditon after its cancellation and provided her with a sense of connection during the lockdown period.

As Out the Gate continues its tour, it stands as a powerful example of how theatre can serve as a platform for social change and community healing, bringing critical conversations about incarceration and its impact to the forefront of public discourse.