“Haunting Drama Unfolds in ‘Went Up the Hill’ as Grief Takes Center Stage”

The new horror film, Went Up the Hill, directed by Samuel Van Grinsven, has sparked discussions among audiences following its release in select cinemas across New Zealand. Set against the stunning backdrop of Te Waipounamu in South Canterbury, the film explores themes of grief, possession, and family dynamics, intertwining elements of the supernatural with emotional complexity.

The story revolves around a modern mansion, characterized by its stark concrete and stone design, overlooking a frozen lake. The film opens with a memorial service for Elizabeth, the formidable owner of the estate, who has recently passed away. Her son, Jack, attempts to attend the service but is met with hostility. It becomes clear that Elizabeth disowned him, leaving his motives and their relationship shrouded in mystery.

Jack, who now lives in Australia, finds himself staying at the mansion with Elizabeth’s widow, Jill. The narrative hints at a sinister turn as the ghost of Elizabeth is suggested to be lingering in the house, aiming to connect with both her son and widow in ways that blur the lines between life and death.

As the film progresses, it becomes increasingly ambiguous whether Elizabeth’s spirit is manipulating Jack and Jill for her own unresolved desires. Their relationship evolves as Jack and Jill share a bed, leading to a series of intimate encounters that complicate their interactions further. This layered dynamic serves as both a source of tension and dark humor throughout the film.

Visually, Went Up the Hill stands out for its breathtaking cinematography, crafted by award-winning Australian filmmaker Tyson Perkins. The film’s aesthetics complement its narrative, creating an atmosphere that is both haunting and beautiful. The performances by Dacre Montgomery, known for his role in Stranger Things, and Vicky Krieps, from Phantom Thread, add depth to the characters, helping to navigate the film’s more implausible moments.

While some viewers may find the film’s artful ambiguity intriguing, others may perceive it as veering into the realm of unintentional comedy. The balance between enigmatic storytelling and coherence remains a point of contention among critics and audiences alike.

As audiences engage with Went Up the Hill, many are encouraged to form their own opinions about its narrative choices and artistic direction. The film, rated R16, is currently screening in select cinemas nationwide, inviting viewers to experience its complex blend of horror and emotional exploration.